Frailty
This week’s Friday’s Featured Film post provided me with a choice. Do I take the Reformation Day route and review Luther, or do I go the Halloween route and review something a bit scarier? Since I’ve already done a Reformation-themed post, I’ll go the secondary route and take a look at Frailty – a small and largely unknown horror film from 2001. Despite being a Halloween rather than a Reformation Day-themed pick, the movie is not devoid of theological significance, and it’s one that Christians who are fans of the horror genre will likely find quite fascinating – as well as disturbing.
The movie begins with Fenton Meeks (Matthew McConaughey) walking into the office of FBI agent Wesley Doyle (Powers Boothe). Doyle has been hunting the notorious “God’s Hand” serial killer, and Fenton has come to confess that the killer is his brother, Adam. In response to Doyle’s questions, Fenton tells the story of his childhood, which is presented in extended flashback and comprises the bulk of the film. When Fenton (played by Matt O’Leary in his younger iteration) was entering his teenage years, he and Adam (Jeremy Sumpter), who was about 10, were being raised by their dad (Bill Paxton, who also makes his directorial debut). Their father was a hard-working, loving, God-fearing, blue-collar single dad doing his best to raise the boys. One night, however, everything changed. The boys are awoken in the middle of the night by their father, who says that he has received a vision from God. God, he says, has informed him that the end of days is near, and he and the boys have been tasked with destroying demons. The horrifying catch is that these demons will appear to be people. An angel will give them the names of those who are to be killed, and he will provide the weapons (an old axe and a lead pipe) to be used. As the three kidnap their first “demon” for the slaughter, young Adam blindly follows his zealous father while the horrified Fenton suspects that his dad isn’t a holy executioner but a madman.
Without getting into spoilers, the film is basically the story of Fenton and Adam’s different reactions to their father’s actions, and what effects those reactions have on their lives. It is here that I found a very interesting theological issue arising – namely the importance of normative revelation (i.e. Scripture) to the life of faith. I can’t get into too many specifics without spoiling things, but I’d be interested to hear what others who saw the film have to say. If you’ve seen the movie, leave me a comment and we’ll discuss. If you haven’t seen the film, consider the comments section a spoiler zone. As a piece of entertainment, the movie is a fantastic success. Paxton’s rookie effort behind the camera is a great one, and his terrific portrayal of the elder Meeks lends some sympathy to what could have been a caricature of a character. The boys are pretty good for child actors, and their innocence only makes the film all the more disturbing as they watch their father slaughter his victims. The movie is about as dark as they come, thematically, and the cinematography conveys the sense of unease and dread palpably. Let me warn you – if you are turned off by horror films or graphic violence, best leave this one on the shelf. However, if you like a good thriller and are tired of the gratuitous, self-indulgent, cookie-cutter slashers that seem to hit the theaters on a weekly basis anymore, let Frailty give your nerves a jolt and your brain some questions to ponder. - **** (out of four)
Frailty is rated R for violence and some language.
The movie begins with Fenton Meeks (Matthew McConaughey) walking into the office of FBI agent Wesley Doyle (Powers Boothe). Doyle has been hunting the notorious “God’s Hand” serial killer, and Fenton has come to confess that the killer is his brother, Adam. In response to Doyle’s questions, Fenton tells the story of his childhood, which is presented in extended flashback and comprises the bulk of the film. When Fenton (played by Matt O’Leary in his younger iteration) was entering his teenage years, he and Adam (Jeremy Sumpter), who was about 10, were being raised by their dad (Bill Paxton, who also makes his directorial debut). Their father was a hard-working, loving, God-fearing, blue-collar single dad doing his best to raise the boys. One night, however, everything changed. The boys are awoken in the middle of the night by their father, who says that he has received a vision from God. God, he says, has informed him that the end of days is near, and he and the boys have been tasked with destroying demons. The horrifying catch is that these demons will appear to be people. An angel will give them the names of those who are to be killed, and he will provide the weapons (an old axe and a lead pipe) to be used. As the three kidnap their first “demon” for the slaughter, young Adam blindly follows his zealous father while the horrified Fenton suspects that his dad isn’t a holy executioner but a madman.
Without getting into spoilers, the film is basically the story of Fenton and Adam’s different reactions to their father’s actions, and what effects those reactions have on their lives. It is here that I found a very interesting theological issue arising – namely the importance of normative revelation (i.e. Scripture) to the life of faith. I can’t get into too many specifics without spoiling things, but I’d be interested to hear what others who saw the film have to say. If you’ve seen the movie, leave me a comment and we’ll discuss. If you haven’t seen the film, consider the comments section a spoiler zone. As a piece of entertainment, the movie is a fantastic success. Paxton’s rookie effort behind the camera is a great one, and his terrific portrayal of the elder Meeks lends some sympathy to what could have been a caricature of a character. The boys are pretty good for child actors, and their innocence only makes the film all the more disturbing as they watch their father slaughter his victims. The movie is about as dark as they come, thematically, and the cinematography conveys the sense of unease and dread palpably. Let me warn you – if you are turned off by horror films or graphic violence, best leave this one on the shelf. However, if you like a good thriller and are tired of the gratuitous, self-indulgent, cookie-cutter slashers that seem to hit the theaters on a weekly basis anymore, let Frailty give your nerves a jolt and your brain some questions to ponder. - **** (out of four)
Frailty is rated R for violence and some language.